Matthew Ariaratnam is an interdisciplinary sound artist, composer, guitarist, and listener based on the unceded traditional territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) First Nations – also known as Vancouver, BC. He creates sensory walks, writes dumbpop and chamber music, and frequently collaborates with choreographers, visual artists, and theatre-makers.

Recent projects and commissions include: kiitos, äiti (Thin Edge New Music Collective), The View From Here (Jillian Peever/Sasha Ivanochko) Plastic Me (Naishi Wang), Body Tuning (Vines Art Festival), Creative Music Series 10 (NOW Society), Take Good Care (as dumbpop), Isolation Commission (Little Chamber Music Society), Altar :=: Source (Music on Main), and How long will these sounds sound? (Artist-in-Residence, North Vancouver Recreation and Culture). He has an MFA from Simon Fraser University and a BMus in Music Composition from Wilfrid Laurier University.

Ross Birdwise is a Vancouver-based musician and occasional visual artist. Much of his recent electronic music in various idioms is concerned with the deliberate manipulation of the listener’s sense of time and space and is concerned with disrupting, loosening or expanding the grid that underlies much electronic music to attempt to create musical space-times that can range from fluid, lurching, layered, grooving, malfunctioning, hypnotic, awkward, aggressive, soft, rigid or organic. As an improviser he has been using his voice and electronics to do explorations into non-idiomatic improvisation, structured improvisation, and lo-fi approaches to spatialized sound.

Ross has played music festivals such as Mutek (Montreal), Soundasaurus (Calgary), Electric Fields (Ottawa), Vancouver New Music and has presented visual art at centres such as VIVO Media Arts (Vancouver) and Gallery 101 (Ottawa). He holds an MAA in Media Arts from Emily Carr, and a BFA from Ottawa University.

Soressa Gardner is vocalist, laptop composer/improvisor, and sometimes songwriter. Her keen sense of mood, colour, humour and gravitas are expressed through extended vocals enhanced by electronic manipulations and sound-worlds carefully crafted from a variety of audio processing techniques. Soressa’s recent live performances include Victoria’s Neuztec Festival (2021) Wonderment Festival (2020), Vancouver New Music Festival: Resonances (2019, The Annex) and CoexistDance: Western Edition #2 (2019, ScotiaDance Centre). Her electronic compositions have garnered international recognition and airplay.

A Vancouverite by birth, Soressa holds a music degree from Vancouver Community College and currently resides in Victoria, BC, Canada.

prOphecy sun (Ph.D.) is an interdisciplinary performance artist, queer, movement, video, sound maker, and mother. Her practice celebrates both conscious and unconscious moments and the vulnerable spaces of the in-between in which art, performance, and life overlap. Her recent research has focused on ecofeminist perspectives, co-composing with voice, objects, surveillance technologies, and site-specific engagements along the Columbia Basin region and beyond. She hosts Tapes and Beyond on Kootenay Co-op Radio and is the Arts Editor for Ecocene: Cappadocia Journal of Environmental Humanities. She performs and exhibits regularly in local, national, and international settings, music festivals, conferences, and galleries and has authored several peer-reviewed articles, book chapters, and journal publications on sound, performance, and the entanglement of domestic spheres.

Keith Langergraber studied at the University of Victoria and the University of British Columbia, Vancouver, and currently teaches at the Emily Carr University of Art + Design, Vancouver. His research-based practice draws upon disparate references that run from utopian and dystopian literature, art history and outsider subcultures to the narratives embedded in a particular site. His work has been exhibited widely in Canada and abroad over the past twenty years.